 |
Sylvia Long (Chronicle, 2011)
|
I remember our family copy of
Thumbelina, a photographed board book with dolls positioned in little dioramas on every page, greatly abridged. Alas, that was my introduction to
Thumbelina. Until I saw Sylvia Long's version (left) I hadn't realized what a wealth of imagery the Hans Christian Andersen tale provides. How beautiful and entrancing some of these images can be in the hands of a skilled illustrator!
Andersen's story was first published in Denmark (naturally) in 1835, with the original Danish title,
Tommelise. Below is an 1837 edition of
Eventyr, fortalte for Børn, in which
Tommelise appeared:
Here's a slightly more recent version:
 |
| Tommelise (Tiden, 1967) |
And there are hundreds of other covers, the good, the bad, and the ugly. I've gathered a few of each below, with brief commentary.
Interesting backdrop for this easy reader:
Pretty:
Sweet:
Fun:
But then there's this. The cover says this book is meant for "Creative Character Building." I suppose that's true if the character you hope to build is lonely and sullen:
Graphically interesting version below, but a silhouette doesn't really bring out that Thumbelina charm, does it?
What is she staring at?
Another early reader version:
In French,
pouce means "thumb," so this is the little female thumb girl, La Poucette:
Striking:
Interesting, but not particularly pretty:
Too cute. No, really. This is sickeningly cute:
Poucette sophisticate:
Um. Wow, a comic book. So true to the original tale [sarcasm]:
The thought that this (below) may become some child's introduction to Thumbelina gives me a sick headache:
Do you remember what image graced the cover of your childhood Thumbelina?
P.S. Sorry about the silly title for this post~CB
