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| Silhouette image of the esteemed Jane Austen |
There are all kinds of uses for silhouettes nowadays, in photography, fashion, and even in military aircraft identification. (Click that link. Pretty pictures to look at.)
Weird fact: An anagram for M. Etienne de Silhouette is "the esteemed in outline."
What follow are a few choice examples of recent YA and children's book covers that use silhouettes.
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| Shutout by Brendan Halpin (FSG, 2010) |
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| Bird in a Box by Andrea Davis Pinkney (Little, Brown, release date: April 12, 2011) |
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| Efrain's Secret by Sofia Quintero (Knopf, 2010) |
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| A Most Improper Magick: The UNLadylike Adventures of Kat Stephenson by Stephanie Burgis, UK cover (Templar, 2010) |
While we're thinking of it, here's the silhouette-less North American dust jacket for the same book (image from the author's website), retitled Kat, Incorrigible, due out in April, 2011:
Returning to the silhouette, little did Etienne know that his eponymous hobby would one day become an ad campaign image for Wyoming public libraries. To wit:
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| Mud flap girl, reading |







Carol, the last two covers caused me to stop and scratch my head in disbelief. The same book? Really? My question is this: WHY?
ReplyDeleteOkay, the UK cover clearly indicates there's magic forthcoming--in the title alone! Then there is a floating girl, a little wand and spellbook in the corner, and shooting star-type things. No doubt: fantasy.
The second cover required some inspection before I connected the magic to the girl, and oh yeah, what about the title? Nothing fantastic being suggested here. In fact, I thought it looked like a Disney animation wanna be. It's cute--I'm not saying I don't like it, but it doesn't carry the same tones as the UK version.
So why would the publisher/marketers/cover design folk decide to change it so drastically? Did they decide we North Americans are no-nonsense, non-fantasy lovers? Or did they think it would sell better being more Disney-esque?
Can someone weigh in and straighten me out? Thank you!
-Patti